Sarah J. Robbins is an award-winning author and collaborator. Her adaptation of Malala Yousafzai’s memoir for middle-grade audiences, Malala: My Story of Standing Up for Girls’ Rights, is a New York Times bestseller.
Sarah has published work with Collins; Grand Central Publishing; Little, Brown and Company; and Seven Stories Press. She’s currently at work on a project for Viking Press.
With a specialty in content creation for nonprofits and startups, Sarah oversees literary initiatives for Everytown for Gun Safety and Moms Demand Action.
Her journalism has appeared in Consumer Reports, Newsweek, Fortune, Glamour, Real Simple, and Publishers Weekly magazines, among many others.
Sarah works with writers of all ages, helping them discover, create, refine, and share their stories.
Learn more about Sarah’s college essay coaching practice at essaycoaching.com.
For collaboration and ghostwriting inquiries, please contact Madeleine Morel at 2M Communications.
In her role overseeing literary initiatives for the nonprofit, Sarah organizes authors, editors, publishers, bookstores, book influencers, and more.
The Song Foundation’s new brand messaging and website supports their mission to amplify equity, power, prosperity, and joy in Southeast Michigan.
Let Me Tell You is a collection of first-person stories about the experience and impact of long imprisonment in Michigan.
Achut Deng hopes that readers of her book can find a way to be open to life—to feel their pain and then let it go.
Alice Chipman Dewey was a philosopher, social reformer, educator, pioneer, and among the earliest women to graduate from U-M.
Confidence and chartreuse reign at Gracias, a social payments company billed as “Bitcoin with friends.”
The surfboard leash, the jet ski, and other surfers’ safety measures aren’t unlike the strategies offered by economist Allison Schrager’s retirement-focused advisory firm.
Publishers mark a watershed moment in women’s voting rights
One person, one vote. We know technology can help with the “how” of voting, but what if it could also transform the concept itself?
Digital art challenges notions about consumption, and yet its market has evolved with a familiarly distorted sense of value.
